This entire process has to work flawlessly, and we have to maintain the meta data accurately and meticulously in the correct way throughout the entire process. The best part is that this all takes place really fast, securely and automatically in the background.” Anna affirms.Īpplications of DejaEdit include allowing multiple remote editors to work together on a single project, or speeding up file exchanges between location based editors, DITs, and VFX houses, or allowing projects to be accessed anywhere and anytime, while maintaining a robust and up-to-date local copy of all required media files, using an internet connection.ĭejaEdit should be the industry standard for all ProductionsĪnna outlines why her role is so vital in the filmmaking process and how DejaEdit helps streamline everything in production, “There are so many parts to my role that I see as very important, but my key priority is being in charge of the full workflow: - right from the cameras, to the sound recorders and all the way through to final masters. “I depend on DejaEdit for all my productions because it ensures that all the media files and timelines that we have created or imported in one connected system are then shared and mirrored to the local or network storage of other connected systems. Post-producing mostly drama series is my main line of work, and I also get to produce a feature film every now and again too which is fun.”ĭejaEdit is a media file synchroniser that gives editors and operators the ability to collaborate super-efficiently between multiple remote Avid editing platforms. I enjoy the variety between projects, and working with numerous production companies, producers and directors as well as post-production facilities all over the Nordics and Europe. Passionate about her work, Anna notes, “I love being able to work on more than one project at the same time, which is always the case as a post-producer in Sweden. She went on to produce “Young Sophie Bell” (by Amanda Adolfsson) together with Gila Bergqvist Ulfung and “Alone in Space” (by Ted Kjellsson and Henrik Ståhl) together with Sonja Hermele. Anna lead the post-producer course at the National Film School of Stockholm’s Academy of Dramatic Arts before post producing more seriously from 2012, with feature films such as “Shed no tears” (aka “Känn ingen sorg”, by Mårlind & Stein) and “The 100-Year-Old Man Who Climbed Out the Window and Disappeared”. Highly acclaimed, Anna’s successful career in the Swedish film industry began back in 1997 before she started working for herself through her company Knochenpower since 2006. She uses DejaEdit in all her productions now, including recent films she produced - “Alone in Space” (2018), “White Wall” (2020) and “We Got This” (2020). Anna Knochenhauer is a well-respected Stockholm-based film producer / post-producer with an exhaustive catalogue of impressive titles to her name which include the likes of “Euphoria” featuring Alicia Vikander “Welcome to Sweden” season 2 starring Jason Priestly and others.Ĭarving a successful career of VFX-heavy feature films and drama series, she declares that DejaEdit is a revolutionary film tool that should be included in every production as industry standard.
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